Laughing Mouse Press

Laughing Mouse Press is an editorial design studio run by Yinying Hu (China) and Maciej Przylecki (Poland) based in London, which tries to not take itself too seriously. Their approach to editorial design is narrative-driven with an emphasis on analog printing processes, and the incorporation of found material and printed ephemera.

They are currently undertaking an MA in Graphic and Media Design at the London College of Communication  

Collections:
> University of the Arts London Special Collection Archive
> London College of Communication Printing Archive
> Artist’s Book Collection of the Rikhardinkatu Library


Book Fairs & Exhibitions:

Taipei Art Book Fair
March 6th — 8th,  2026

Handmade Books Exhibition  — Helsinki Analog Festival
March 30th — April 26th, 2026

ExLibris Book Festival  (Hamburg)
December  3rd, 2026

Tokyo Art Book Fair
January  29th — 31st,  2026

Stockists:
朋丁  pon ding  —  Taipei, Taiwan
moom  bookshop  —  Taipei,  Taiwan

Awards:
2026 ADC Young Ones Merit  
2026 Graduate360 Best 100 x3
Platinum Originality Judge’s Award

Contact Information:

For purchase enquiries or work enquiries please conctact:
przyleckimaciej@gmail.com / huyinying22@gmail.com 
Can you come translate this for me?



This book is an exploration of the conversations Maciej had with his parents growing up as an immigrant in Scotland. The conversations are centred around the experience of having to translate everyday situations for his parents, from their arrival in Scotland to his departure from his family home to university, and how these conversations have progressed over time from being conducted in-person to being largely through online messages.

Nuances within the conversations have been reflected through the way this book has been designed. The grid used throughout the book allows for the text to be positioned in a way which reflects the time passed during the conversations as well as the things that were said but the reader cannot directly see on the page. The typeface allows to showcase the progression from in-person conversations to online ones through its subtle transition from serif into sans serif. Images and printed ephemera are scattered throughout the book as a means of connecting the reader and immersing them in the time period in which the conversations are taking place.

Format: 2 x 105 mm x 148 mm
Custom gatefold perfect binding

Xerox Red and Blue
Typeface: ABC Arizona Variable
Paper: Munken Design Pure Rough Cream

Currently held in the London College of Communication Library Archive Collection

Platinum Originality Jury Award (Chen Zhengda)